You can read an extract from Patrick's article below, or read the full version on Arts Professional.
Excellence. Let’s talk about it.
Having worked in the field of collaborative and social arts practice - nationally and internationally - for more than 20 years, I’m well versed in the cyclical debates about community-based arts and excellence.
Many artists and arts workers will be familiar with the assumptions and judgements made about this field where the burden of proof always seems to fall at our feet, no matter how much evidence is produced. ‘Excellence’ in all its ambiguity seems the value indicator most weaponised when art happens in ‘non-traditional’ locations.
Are we experiencing such a crisis of imagination that we struggle to grasp the notion of communities and artists creating something of value outside traditional arts institutions? Surely, we should be celebrating and advocating for the boundless potential of art and creativity?
The case is never closed
Before I continue, I need to state unambiguously that I’m a visitor and advocate for dedicated arts spaces. Some of the most transformative experiences of my life have been in galleries and theatres. But I’ve had equally life-affirming encounters in parks, care homes, community centres and bingo halls. The context of the presentation often adds depth and dimension.
Whether it be in a white cube or a shopping centre, if the artwork is created with care and integrity and presented in a dynamic and accessible way, then it has the potential to stop us in our tracks.
Read the full article.
![People are sat in the community garden at Incredible Edible Knowsley, it is sunny and there is a sign that reads 'Eat your Verb'](https://www.heartofglass.org.uk/cms/images/Projects/With-For-About/2023/_fullWidth/With-For-About-2023-by-Radka-DolinskaDSCF0615.jpg)